| | Preface | | 6 |
| | Modernism, Architecture and Death | | 8 |
I | | Houses of the Dead - Cities of the Dead | | 8 |
II | | Et in Arcadia Ego | | 13 |
III | | The Necropolis: A Resurrected Archetype | | 15 |
IV | | Buried Cities - Dead Cities | | 17 |
V | | The Architecture of Shadows | | 21 |
VI | | The Parisian Elysium | | 25 |
VII | | John Soane: Display, dwelling and death | | 26 |
VIII | | Death and the Birth of Modernism: The Fin de Siecle and the Sepulchre | | 31 |
IX | | Consumed by Flames | | 35 |
X | | The Prism, the Pyramid, the Glass Mountain: Expressionism, Cubism and the Architecture of Death | | 38 |
XI | | War Memorials: The Expression of Wasted Life | | 42 |
XII | | Between the Wars: The Monumental Era | | 47 |
XIII | | Italy: Modernism, Classicism, Monumentalism, Rationalism | | 52 |
XIV | | Modernism and the Functional Language of Death | | 59 |
XV | | The Paradox of the Modernist Monument: A New Approach | | 62 |
XVI | | Holocaust Memorials | | 64 |
XVII | | The Holocaust and the Creation of Memory | | 68 |
XVIII | | Epilogue | | 71 |
| | Gunnar Asplund and Sigurd Lewerentz | | 74 |
| | Joze Plecnik | | 80 |
| | Takefumi Aida | | 84 |
| | David Chipperfield Architects | | 90 |
| | Wim Cuyvers | | 94 |
| | Karin Daan | | 96 |
| | Laureano Forero | | 98 |
| | More... | | |