| | | Preface | | 6 |
| | | Modernism, Architecture and Death | | 8 |
| I | | Houses of the Dead - Cities of the Dead | | 8 |
| II | | Et in Arcadia Ego | | 13 |
| III | | The Necropolis: A Resurrected Archetype | | 15 |
| IV | | Buried Cities - Dead Cities | | 17 |
| V | | The Architecture of Shadows | | 21 |
| VI | | The Parisian Elysium | | 25 |
| VII | | John Soane: Display, dwelling and death | | 26 |
| VIII | | Death and the Birth of Modernism: The Fin de Siecle and the Sepulchre | | 31 |
| IX | | Consumed by Flames | | 35 |
| X | | The Prism, the Pyramid, the Glass Mountain: Expressionism, Cubism and the Architecture of Death | | 38 |
| XI | | War Memorials: The Expression of Wasted Life | | 42 |
| XII | | Between the Wars: The Monumental Era | | 47 |
| XIII | | Italy: Modernism, Classicism, Monumentalism, Rationalism | | 52 |
| XIV | | Modernism and the Functional Language of Death | | 59 |
| XV | | The Paradox of the Modernist Monument: A New Approach | | 62 |
| XVI | | Holocaust Memorials | | 64 |
| XVII | | The Holocaust and the Creation of Memory | | 68 |
| XVIII | | Epilogue | | 71 |
| | | Gunnar Asplund and Sigurd Lewerentz | | 74 |
| | | Joze Plecnik | | 80 |
| | | Takefumi Aida | | 84 |
| | | David Chipperfield Architects | | 90 |
| | | Wim Cuyvers | | 94 |
| | | Karin Daan | | 96 |
| | | Laureano Forero | | 98 |
| | More... | | |